Good idea. Thanks!
(That should've been a no-brainer)
Watermelon
It's all good! Don't worry about it.
AND THAT COULD ALSO MEAN HE SHUTS DOWN/INTERFERES WITH LIFE SUPPORT ALL OVER THE SHIP NOT JUST MED BAY SO THAT COULD ALSO TAKE OUT OXYGEN/THE OXYGEN GENERATOR
I can't believe we went from watermelon, to a mutiny-that-wasn't-really-a-mutiny to scifi to "mutiny" revolution back to scifi
what a wild ride
also with some writers block sprinkled in there
GREAT IDEA THAT MAKES THE STAKES HIGHER
Also, half the reason i want the android being an android secret is that you get a shock when he gets killed. Idk, it's just a notion I had.
person_off
Deleted user
Yeah I haven't written in a few days
You're right XD
GREAT IDEA THAT MAKES THE STAKES HIGHER
Also, half the reason i want the android being an android secret is that you get a shock when he gets killed. Idk, it's just a notion I had.
like… when he dies, he sends out an electric shock? Or the reader is shocked that an android can die?
Well, I was planning for someone to bash him on the head or somewhere like that, and he dents and starts spewing fluids or something.
Well, I was planning for someone to bash him on the head or somewhere like that, and he dents and starts spewing fluids or something.
okay sounds good I was just clarifying cause I was confused
I need help
With my story, just to clarify. I'm already seeing a therapist
Oh good. I can help with a story.
Alright! So
I have a doctor and a weird redneck dude from the 1920's arguing about where to take a little girl after she was pushed off the top of carriage by her parents drunk friends. I don't know how to write that discussion
It leads to her staying at the weird redneck dude's place
Like what about the discussion are you having a hard time with? Starting it? Getting to the conclusion?
(Btw, I love your profile pic)
(Why thank) And I'm having trouble starting it. I'm sure once I've actually started it, I'll be good to end it
Okay, so what particularly about starting it? Bringing the characters into the picture, or getting the actual talking going?
The actual talking. My narrarator has announced the argument, how it would only be the start of sorrow, something and such blah blah blah, but I don't know what they would actually say and do in the argument
Well, did both characters witness the incident, only one of them, or did both hear a commotion and run to source. That can determine how a conversation goes.
No one knows how long Sari was left in the muddy road (not even me) John found her there near sunset with multiple broken bones and cuts and bruises. He took her to Dr. Lindh ,and now it's well past sunset, Lindh has patched Sari up and now they don't want to send her back home but are arguing about where she goes. I don't even know what excuse Dr. Lindh has for not keeping Sari for the night
The medical ward is full? They was previously treating a disease and don't want to contaminate the girl?
Well, there isn't a hospital for miles. John carried her to Lindh's house, who has a medical room where he treats patients for little to no money, and he doesn't actually work at a hospital. He works as a bartender for a living
Okay, maybe John feels a bit responsible for Sari since he found her. (Plus, the fact that Lindh doesn't work at an official hospital could be reason too. Some people are nitpicky about whether or not one works at a hospital)
I can work with that. Sadly not for a while though, since my dumb ass accidentally disconnected the wireless mouse and keyboard from the computer, and I can't reconnect them, bc the mouse and keyboard are disconnected
Aw dang.
What does stfu mean
(Shut The F-word Up)
Cool
What does smfh mean