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Richard Whitman, Inc. (WHTRW?)
A lifetime of friendship, over in a few minutes.
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The near-inseparable duo of Richard Whitman and Jonny Quinn is split for good, and Jonny's reputation has been forever tarnished by the speech.
Molly Jones has to take sides once again between her two best friends, this time permanently. She chooses Richard. She was always going to choose Richard.
It's the night of the Oscars, and Jonny Quinn and Richard Whitman have just won multiple awards for the film adaptation of their hit musical And That's What It Is. Already somewhat tipsy and overstimulated by the noise of the events, Jonny makes his way upstage to give his acceptance speech, Richard right behind him. They do a joint speech, passing the mic between them and playing up their "perfect duo" double act, even though it's been on thin ice for a while now until Richard makes a crucial slip by mentioning the next plan: a film adaptation of Play It For Me, another of their musicals--and a film adaptation he never told Jonny about. Completely blindsided, Jonny pushes the microphone away from Richard and asks him what the hell he means by that and Richard tries to brush him off, putting on a smile for the cameras. Jonny forces a smile as the lenses flare and Richard grabs him by the arm to lead him off the stage and that's when it becomes too much. How could Richard sign away another script without asking? How could he stand there and keep selling them out? He said they were going back to off-broadway, to whatever experimental theater Jonny wanted, as soon as the ceremony finished, but all it was was another lie.
So, naturally, he wrenches his arm from Richard's grasp and makes a run for the podium, grabbing the microphone as he says "Actually, I've got a quick amendment to my speech." Then it's all laid out: every time Richard has wronged him, pushed away collaboration for cash or an affair, forced him to self-censor to remain palatable, dragged him to events that gave him headaches and breakdowns, sold his work's rights without permission, lied to him to bait him into agreements--the whole nine yards. Richard, as always, tries to save face and wrestle the mic away from Jonny, who, despite his small frame, manages to keep it in an iron grip. It becomes a shoving match as Jonny keeps yelling and the onlookers are open-mouthed as Richard shoves him off of the podium and he falls hard with a thud, the mic falling next to him. It's dead silent as Jonny stands, shaking, and looks up at Richard before spitting, "It's over, then? Just like that?"
Richard doesn't answer.
He doesn't have to.
The cameras were rolling the entire time.
Decades of an increasingly strained friendship, sensory overload, and a lot of alcohol.
Overview
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Richard Whitman, Inc. (WHTRW?)
A lifetime of friendship, over in a few minutes.
members
Details about this scene's members
Action
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The near-inseparable duo of Richard Whitman and Jonny Quinn is split for good, and Jonny's reputation has been forever tarnished by the speech.
Molly Jones has to take sides once again between her two best friends, this time permanently. She chooses Richard. She was always going to choose Richard.
It's the night of the Oscars, and Jonny Quinn and Richard Whitman have just won multiple awards for the film adaptation of their hit musical And That's What It Is. Already somewhat tipsy and overstimulated by the noise of the events, Jonny makes his way upstage to give his acceptance speech, Richard right behind him. They do a joint speech, passing the mic between them and playing up their "perfect duo" double act, even though it's been on thin ice for a while now until Richard makes a crucial slip by mentioning the next plan: a film adaptation of Play It For Me, another of their musicals--and a film adaptation he never told Jonny about. Completely blindsided, Jonny pushes the microphone away from Richard and asks him what the hell he means by that and Richard tries to brush him off, putting on a smile for the cameras. Jonny forces a smile as the lenses flare and Richard grabs him by the arm to lead him off the stage and that's when it becomes too much. How could Richard sign away another script without asking? How could he stand there and keep selling them out? He said they were going back to off-broadway, to whatever experimental theater Jonny wanted, as soon as the ceremony finished, but all it was was another lie.
So, naturally, he wrenches his arm from Richard's grasp and makes a run for the podium, grabbing the microphone as he says "Actually, I've got a quick amendment to my speech." Then it's all laid out: every time Richard has wronged him, pushed away collaboration for cash or an affair, forced him to self-censor to remain palatable, dragged him to events that gave him headaches and breakdowns, sold his work's rights without permission, lied to him to bait him into agreements--the whole nine yards. Richard, as always, tries to save face and wrestle the mic away from Jonny, who, despite his small frame, manages to keep it in an iron grip. It becomes a shoving match as Jonny keeps yelling and the onlookers are open-mouthed as Richard shoves him off of the podium and he falls hard with a thud, the mic falling next to him. It's dead silent as Jonny stands, shaking, and looks up at Richard before spitting, "It's over, then? Just like that?"
Richard doesn't answer.
He doesn't have to.
The cameras were rolling the entire time.
Decades of an increasingly strained friendship, sensory overload, and a lot of alcohol.
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