Straight

172 (appears very early 20s)

Female

'Delia, Miss Fontaine

Antagonist

Blue-grey

5'5-5'6

Dirty Blonde, closer to blonde than brown.

Braided and pinned tightly against the base of her head, wrapping from ear to ear. Her hair is parted in the middle of her head, as was fashionable in the Antebellum period.

None

Human (formerly)
Homunculus (now)

Pale, once tanned

She is gaunt because of her disdain, but she was once very spry and well-formed for a lady of her time.

A ghastly stab wound in her chest that is surrounded with dried up blood

Fill her empty heart (writing book/diary), satisfy Imogene (other) unlike the other homunculi, Cordelia has no interest in escaping the carriage house, much less to live. She follows Imogene with an almost puppy-love attention purely out of her contempt towards her late fiancee- the man responsible for both of their deaths.

She lets her sorrow and self-pity cloud her actions, and because of her desire to please Imogene, she acts incredibly cruelly towards Gregory, their human ward.

Piano

Writing

N/A

Christian (Catholic)

19th century- neutral publicly, but she tends to lean 1860 Republican under the influence of Yates, contrasting the beliefs of her fiancé. However, her beliefs are very heavily influenced by an overly-romanticized idea of her role in aiding fugitive enslaved people out of the South- she sees herself as a savior less than she sees the value of the lives that she aids.

Fiancé of main Antagonist (formerly),
N/A (now)

Pale colors

Strawberries with sugar (formerly),
Can’t eat (now)

Her book/ diary that she constructs throughout her time in the Carriage House. It details her life previous to her time as a homunculi, as well as the previous lives of the other homunculi. It is her one outlet to her true feelings towards her situation and reminds her of her own humanity. Cordelia’s Coping Notebook

Cat

She was born to wealthy plantation owners in Louisiana but moved in with her cousins in Oak Woods, Alabama in her late teens. Because she had many siblings, her parents allowed her to move to marry a young man in another place, as Cordelia had never really wanted to stay in Louisiana her whole life.

Private tutelage until marriage (more in etiquette than educational schooling though)

1843

Canary (formerly)

Despite her cruelty to Gregory, Cordelia acts pretty timid and dainty around her fellow homunculi. This contradiction of character has put she and Eulalia at odds at times.